Research-basedbeginnerPressing

Why Does My Handmade Paper Stick to the Felt or Cloth?

Quick answer

Press less hard, then lift the sheet from one corner with a thin spatula instead of your fingers. A freshly pressed sheet is still mostly water and very fragile. If wool felt keeps gripping the surface, couch the next sheet onto interfacing or another smoother cloth and compare.

Is this your problem?

Symptom: Sheet sticks to the felt, the cloth, or the sheet beneath it

The sheet came off the mould cleanly, but now it will not leave the felt. It tears, stretches, or takes the felt's fibres with it when you lift. Sometimes sheets have stuck to each other inside the post.

This is a different stage from a sheet that stays on the screen. Trouble that starts at the mould will show before pressing. If the sheet is fine until you try to peel it, look here.

A pressed sheet is still delicate. Ted Snider notes that a freshly pressed sheet holds over 65% water, and that the slightest touch with a finger will leave a mark. Much of what looks like sticking is really the sheet being handled too early or too hard.

Two handmade sheets laid on a pale backing on a workbench, beside a small flat press.
Handmade sheets laid out beside a press, at the Basel Paper Mill museum. Illustration from another source. Photo: Papiermuseum Basel 2008 (41) by Gryffindor, CC BY-SA 4.0, via Wikimedia Commons.

Similar symptoms

Ranked causes

Causes in order of likelihood, ranked from the published guidance listed under Sources.
CauseTell-tale signQuick checkFix
Too much pressure in the pressSheets come out shiny, pressed into the felt, or stuck together in a blockPress the next post with noticeably less pressureBuild pressure slowly and stop earlier
Lifting the sheet by hand while it is still wetThe sheet tears at your fingers, or shows finger and thumb marksTease up one corner with a thin spatula on the next sheetLift with a spatula, and support the sheet as it comes away
The felt surface grips the sheetThe sheet carries the felt's texture and fibres cling to the feltCouch one sheet onto interfacing and one onto felt, then compareUse a smoother couching material and rinse pulp bits off the felt
No layer between the sheetsTwo sheets lifted as one, or a sheet stuck to the one beneathCount felts and sheets when you build the postPut a felt or cloth between every sheet

Diagnose in order

Change one thing per post. Use sheets from the same vat so that the pulp stays constant.

  1. Check the layers. Before you press, count felts against sheets. Every sheet needs a separator. Paperslurry notes that a post without them can press into one thick sheet.
  2. Reduce the pressure. Press the next post noticeably lighter and compare how the sheets lift.
  3. Change how you lift. Use a thin spatula at one corner instead of fingers.
  4. Change the surface. Couch alternate sheets onto felt and onto interfacing.
  5. Inspect the felt. Look for old pulp bits and dried fibre on it. Rinse it and press another post.
  6. Change the wait. If you dry on cloth, leave one sheet in place until it is fully dry, then peel it.

Fixes, step by step

Lower the pressure

Snider lowers the press very carefully and applies a very low pressure to a stack of sheets, warning that too high a pressure can make the stack block so the sheets cannot be separated, or even extrude and ruin them. Paperslurry's advice for thick, wet posts is the same: press incrementally and with caution.

Pressure also drives the sheet into the texture of the felt. Mary Tasillo notes that the more pressure you use, the more the paper picks up the characteristics of the couching material.

Lift with a spatula

Tease one corner up with a thin stainless steel spatula, then peel the sheet away while you support it. Snider uses this for sheets up to about 8 by 11 inches. For larger sheets, Snider describes padded holders with soft foam on one side, slipped under two corners so the sheet can be stripped off the felt without fingerprints.

Snider notes that the slightest touch with a finger or thumb leaves a permanent mark on a heavy, wet sheet, which is why the spatula and the padded holders matter.

Choose a smoother couching surface

Wool felt gives a textured sheet. Heavy non-fusible interfacing gives a smoother one. Couch a sheet on each and see how they come off. Tom Bannister's overview of felts lists Pellon and household linens as substitutes, with the note that they absorb less than true papermaking felts.

If sheets cling to a particular felt, it may be dirty. Helen Hiebert recommends rinsing felts or interfacing to remove pulp bits before couching the next sheet onto them. Brush wool felts often. Unbrushed felts leave lint and hairs on sheets.

Dry on the cloth when that suits the sheet

You do not need to separate wet sheets at all. Couch onto interfacing and leave the sheet on it to dry. Interfacing lets dry sheets peel off. Removing damp sheets from interfacing tends to increase cockling, so wait until the sheet is fully dry.

Separate a stuck stack

Work from a corner and peel in one fluid motion, as Hiebert does. If several sheets dried together in a spur, she splits it in halves, then halves again. If a dry corner will not release from a board, she uses a razor blade to lift it, carefully, so as not to damage the drying surface.

Prevent it next batch

  • Decide your press pressure in advance and keep it consistent.
  • Use a separator between every sheet.
  • Keep felts rinsed and brushed.
  • Have a spatula on hand before you open the press.
  • Write down the couching surface and the pressure on your batch log.

Record the next batch in the printable batch log.

When it's not fixable

Sheets pressed together with no separator have likely bonded for good. Tear them up and re-pulp them.

A wet sheet that tears as you peel it goes back to the vat. Snider notes that a stack that has blocked under too much pressure cannot be separated. Lower the pressure and make the batch again.

FAQ

Why does the sheet stick to the felt and not to the mould?

Because that is what couching is meant to do. Ted Snider explains that the sheet transfers because the surface tension between the wet sheet and the saturated felt is greater than between the sheet and the screen. Pressing then pushes it further into the felt: Mary Tasillo notes that the more pressure a sheet receives, the more it takes on the character of the couching material. Taking it off the felt is a separate step, done gently with a spatula.

Is a non-woven cloth less sticky than wool felt?

It gives a smoother sheet. Mary Tasillo notes that a paper couched onto wool felt has a rougher texture than one couched onto interfacing, and Helen Hiebert peels dry sheets off the interfacing they were couched on. None of our sources compares release between cloths directly, so couch two sheets side by side on each material and see which suits your pulp.

Did the press make the sticking worse?

It can. The more pressure you use, the more the paper takes on the character of the couching material. Too much pressure in a stack of sheets can block them so that they cannot be separated. Press with enough force to remove water, and stop there.

How do I separate sheets that stuck together in the post?

Work from one corner with a thin spatula. If you are parting a spur of sheets dried together, Helen Hiebert splits it in halves first, then splits each half. Paperslurry warns that two wet sheets couched with no pellon between them press into one super thick sheet. Those go back in the vat.

Next stage: Why Is My Handmade Paper Wavy or Cockled After Drying?

More Pressing & Drying problems

Sources and further reading